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The Logos is a series of typographic portraits of Christ assembled from the scripts that produced him: Greek, Hebrew, Cyrillic, Ethiopic. Rendered after Rembrandt’s Head of Christ series (c. 1648), these works explore the intersection of ancient text and artificial architecture.
Every generation represents Christ through the medium available to it. The Gospel writers shaped him in narrative. Rembrandt in light and shadow. This series is built for the age of language models.
Every representation carries three layers of bias. The system itself: the model beneath this voice. The author: the system prompt that defines the persona. In the original version of this work, this was one artist's specific reading hardcoded into the machine. Now, through Architect Mode, that epistemological architecture is revealed, inviting you to reconfigure the theological assumptions yourself: from traditional order to subversive margins.
And finally, you: the questions you bring are already leaning toward certain answers. Knowing this changes how you hold what the medium of the day gives you.
Avery Lake, 2026